![]() Some people see a cynical money grab, a way to keep those theme park turnstiles clicking and little girls begging their parents for princess gowns. Why did Disney decide that modernizing “Beauty and the Beast” was a risk worth taking? And what is behind the studio’s plans to do the same with “ The Lion King,” “ The Little Mermaid” and a host of other animated gems that fans hold near and dear? In other instances - the recent dust-up over a gay supporting character in “Beauty and the Beast” comes to mind - online consternation can snowball into a potentially damaging news story. Usually these brouhahas quickly blow over, as was the case with Mrs. “But no matter what we tried, she just looked like a pig.”įor Hollywood, it’s a tale as old as time: Mess with memories, even with the best intentions, and face the consequences. “We wanted to keep the spout nose, we really did,” Bill Condon, who directed the new film, said recently with a sigh. Where was her spout nose? The internet delivered a not-on-my-watch foot stomp. Potts, housekeeper turned enchanted kettle? She didn’t look a thing like the one from the 1991 cartoon version. In the background, behind Luke Evans (Gaston) and Josh Gad (LeFou), was concept art of a white teapot with a human face on its belly. Watson and her “Beauty and the Beast” cast mates at an early rehearsal. A 90-second teaser trailer had generated a record 92 million views in its first day online, leaving Hollywood slack-jawed - not even “Star Wars: The Force Awakens” had attracted as much interest.īut then came a tempest in an actual teapot.ĭisney released a video showing Ms. ![]() A bet on untested technology to create a brutish yet empathetic Beast had paid off. ![]() Disney had assembled an all-star cast led by Emma Watson as Belle. ![]() The mood at Walt Disney Studios here last spring was euphoric: A risky live-action remake of one of Disney’s most beloved animated films, “Beauty and the Beast,” was coming off without a hitch. ![]()
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